Underscoring his singing is a combination of synth-heavy instrumentation, breath and spoken word. As well as exploring Thompson’s experiences of the Bidjara language, Burdi Burdi (Fire Fire) is a tender, personal case for the revitalisation of First Nations languages, bringing forward 60,000 years of narrative and experiences embedded in the lilting textures and rhythms of Thompson’s voice and the language of what Thompson describes as ‘pre-invasion Australia’.
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